Essays:
“CIA-Sponsored ‘Cultural Freedom’ Comes Home: Parapolitics at HKW” at Temporary Art Review, February 8, 2018.
“The Power of Protest Imagery Then and Now: Christian Schultz’s West Berlin, Afterimage 45, no. 2 & 3 (January 2018): 42-46.
“’A Socialist “Family of Man’: Rita Maahs’ and Karl-
Eduard von Schnitzler’s Vom Glück des Menschen,” Zeithistorische Forschungen / Studies in Contemporary History, Online Edition 12 (2015), No. 2, Print Edition: pp. 370-382.
“The Artist as Historian: History and Memory in the work of Anne Drew Potter
at the Brotfabrik Gallery, Prenzlauer Berg,” in exhibition catalog Mythologie einer
Geschichtsstunde (2013)
“A New/Old Ethics of the Photographic Portrait: Mirjana Vrbaski’s ‘Verses of Emptiness’,” Afterimage 40, no. 1 (July 2012): pp. 14-16.
Reviews:
Review of Donna West Brett’s Photography and Place. Seeing and Not Seeing Germany after 1945 (Routledge 2016) in: H-Soz-u-Kult, 16.09.2016
Review of Sarah E. James’s Common Ground. German Photographic Cultures Across
the Iron Curtain (New Haven 2013) in: H-Soz-u-Kult, 26.06.2014
Review of Herlinde Koelbl’s Targets and Martin Roemers’ Eyes of War exhibitions a the Deutsches Historisches Museum, Berlin, Afterimage 42, No. 4 (December 2014): pp. 33-34.
“The Art of Deceleration at the Home of the Volkswagen, Wolfsburg,” (exhibition review) Goethe Institut online cultural news, 2011 (English version / German version)
“Images from the Unflinching Lens of Gundula Schulze-Eldowy at C/O Berlin,” (exhibition review) Goethe Institut online cultural news, 2012 (English version / German version)
A pretty collage of this stuff and other things I’ve written lives here.
Sarah Goodrum 